Events
Kōgei Dining 2024 ―Kōgei ・Gastronomy・Buyō―
2024.11.09(Sat) - 2024.11.12(Tue)
Overview
Savor the art of Nippon
“When we create, we always think of those who will take our works into their hands to use them ― kōgei embodies our genuine wishes for the users’ wellbeing and happiness,” says Kazumi Murose, a Living National Treasure in urushi art. Works of kōgei can channel the delight in beauty from their creators to users. They are the culmination of the artists’ passion and dedication, which touch the users through the practical purposes of the items, leading to the full appreciation of their beauty. The Kōgei Dining is a unique program that allows participants to appreciate the exceptional aesthetic value of kōgei crafts through first-hand experience. The program this year includes a Buyō stage performance by Bandō Tamasaburō (Living National Treasure) in the museum’s Noh Theater, table talk by an Industrial Artist, and meal served using kōgei tableware, as well as showcasing of works of kōgei which are available for purchase.
Schedule
Gastronomic experience
A course meal is served using select ingredients of locally-sourced organic produce, according to your choice between Japanese kaiseki course meal and Chef Toshihiko Yoroizuka’s French cuisine. *The restaurant is different for each option.
ATAMIZA presents Bandō Tamasaburōʼs special Buyō stage in the Noh Theater
PROGURAMS
1. Greeting and Introduction
2. Zangetsu
3. Takao
Enjoy the prominent performing artist Bandō Tamasaburō’ s stage performance from the exclusive seats in the Noh Theater. The venue, the performance and the close proximity to the stage together make the experience special.
Program
10:00 Reception
10:30 Orientation at the reception room
10:40 Table talk by an Industrial Artist at the reception room
※11/9(Sat) MIYATA Ryohei/10(Sun) MUROSE Kazumi/11(Mon) IMAIZUMI Imaemon XIV/12(Tue) ŌSUMI Yukie
11:20 Commemorative photo
11:30 Gastronomic experience
※11/9(Sat),10(sun),11(Mon) Japanese Kaiseki course/11/12(Tue) French course meal
14:00 Bandō Tamasaburōʼs special Buyō stage in the Noh Theater
16:00 Curator’s special guide in art galleries
17:00 This event is over.
Supervisor
UCHIDA Tokugo
Executive Director of MOA Museum of Art
Born in Tokyo in 1952, Uchida is a graduate of Keio University, with a doctorate in Aesthetics. He specializes in Japanese art history. He is currently Executive Director of MOA Museum of Art and Hakone Museum of Art. Prior to this appointment he served in a range of academic positions including visiting professor at Kyushu University, part-time instructor at Ochanomizu University Graduate School, Keio University, Tokyo University of the Arts, Musashino Art University and Okinawa Prefectural University of Arts. He has also been a member of the Council for Cultural A airs of the Ministry of Education, Culture, Sports, Science and Technology, and committee member for World Cultural Heritage and Intangible Cultural Heritage.
Crafts Artist
MIYATA Ryohei
Metal artist, Japan Art Academy affiliate, President of Nitten, and the 22nd Commissioner for the Agency for Cultural Affairs, Japan
Born in Niigata prefecture, Miyata completed his studies at the Graduate School of Tokyo University of the Arts. He regularly presents his work at the Japan Art Academy (Nitten) exhibitions, garnering him grand prizes and The Prime Minister’s Awards. He has also been awarded several times in the Japan Contemporary Arts and Crafts Exhibition. He uses dolphins as iconic figures of the sea—the roots of all lives—in his “Springen” series, with which he has participated in a number of domestic and international exhibitions.He served as the Commissioner at the Agency for Cultural Affairs between 2016 and 2021, where he was responsible for the governance of the country’s cultural administration. He was appointed as the President of Nitten in 2022.
MUROSE Kazumi
Urushi and maki-e artist, preserver of important intangible cultural properties in the category of maki-e
Born in Tokyo, Murose completed his studies at the Graduate School of Tokyo University of the Arts. He developed extensive expertise in maki-e and urushi art under masters Matsuda Gonroku and Taguchi Yoshikuni. His work is characterized by motifs taken from the natural domain, highly refined through design and dexterous execution of techniques. He has won numerous awards from many exhibitions, including the Tokyo Governor Award from the Japan Traditional Kōgei Exhibition. Aside from his creative activities, Murose is also proactive domestically and internationally in the preservation of cultural heritage. He is an active advocate of the exquisite qualities of urushi and lacquer art.
IMAIZUMI Imaemon XIV
Ceramic artist, preserver of important intangible cultural properties in the category of overglazed enamel porcelain
Born in Saga prefecture, Imaizumi completed his studies at Musashino Art University. Having been trained under a prominent ceramist, Suzuki Osamu, he returned to his family practice led by his father, the Imaemon XIII. He leverages the household tradition of Iro-Nabeshima ware to create modern and refreshing porcelain by introducing innovative techniques, such as sumihajiki and platinum-foil overglaze. His numerous accolades include the awards from the Japan Traditional Kogei Exhibition in 1998 and 2004. In 2002, he succeeded the family kiln and became the 14th generation of Imaizumi Imaemon.
ŌSUMI Yukie
Metal artist, preserver of important intangible cultural properties in the category of metal forging
Ōsumi was born in Shizuoka prefecture and graduated from the Tokyo University of the Arts. She underwent training in chasing under Katsura Morihito and Kashima Ikkoku while learning hammering techniques under Sekiya Shiro, developing her extensive metalwork skills. She won the Japan Kōgei Association President Award in 1987 for her hammered flower vessel “Wind and Waves,” which was the first of many more awards that followed. In 1988, she spent one year in the United Kingdom as a resident artist sponsored by the Agency for Cultural Affairs. Her highly accomplished metalworking skills enable her to portray snapshots of nature, such as waves, currents, clouds and winds, in her lyrical designs.
Exhibition
Ogata Kōrin’s Opus Magnum: Red and White Plum Blossoms meets Wind God and Thunder God
2024.11.01(Fri) - 2024.11.26(Tue)
Red and White Plum Blossoms, Ogata Kōrin, MOA Museum Art
The Wind God and Thunder God (Important Cultural Property), Ogata Kōrin, Coll. of Tokyo National Museum) Image: TNM Image Archives
For the first time in 39 years, Ogata Kōrin’s two masterpieces enchant visitors in the same exhibition: the Red and White Plum Blossoms (National Treasure) and the Wind God and Thunder God (Important Cultural Property, the Tokyo National Museum collection). The latter is known to be a faithful study of the same motifs painted by Tawaraya Sōtatsu (birth unknown–1643), from whom Kōrin took much inspiration. In comparison, experts point out some traces of influence observed in his later work the Red and White Plum Blossoms. The curation of the exhibition also includes Kōrin’s other work that draws on Sōtatsu’s style as well as the works by other Rinpa artists and modern artworks inspired by the world-famous motifs.
Contact Information
Booking:
◆Kogei(Crafts) Dining 2024 x Performing Arts in the MOA Museum of Art (Japanese Kaiseki Course)
◆Kogei(Crafts) Dining 2024 x Performing Arts in the MOA Museum of Art (French Course Meal)
Inquiries:
Tel
050-3172-4343(line is open between 9:30-17:30)
開催情報
Kōgei Dining 2024 —Buyō, Kōgei and Gastronomy
Dates: | November 9 - 12, 2024 |
Organizers: | MOA Museum Art Agency for Cultural Affairs Government of Japan Japan Arts Council |
with specia support by | Japan Kōgei Association |